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VER SINCE MY WIFE was expecting our third child, I began composing this mass setting in thanksgiving to God for my son, Sean Paul to whom it is dedicated. While composed in a chant style, each melody is reminiscent of a simple lullaby. (The Sanctus is perhaps the best example.) Like chant, when one sings a lullaby, one often doesn’t focus on meter and timing. The words and melody flow naturally and are fully devoted to the child. Likewise, chant is fully devoted to God flowing in much the same way. As such, this mass can even be sung effectively in three ways:
• The voice-leading is designed to be simple; the accompaniment is well-suited for an organ of humble means.
• Using the 2010 English translation of The Roman Missal, Third Edition, it is published with the approval for liturgical use by the Committee on Divine Worship, United States Conference of Catholic Bishops.
DOWNLOAD Complete Score (2.3 MG):
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ, SATB)
• Recordings by the St. Cecilia Choir, Boston, MA, with the 1999 Smith & Gilbert Organ:
YouTube: Penitential Act C | Kyrie
YouTube: Gloria
YouTube: Sanctus
YouTube: Memorial Acclamation A
YouTube: Memorial Acclamation B
YouTube: Memorial Acclamation C
YouTube: Doxology, Amen
YouTube: Agnus Dei
• LISTEN and FREE DOWNLOADS of 24 bit audio here
AM ABSOLUTELY NOTHING without my wonderful volunteers and colleagues who are generous, talented, and devoted to prayer. Many thanks to Mark Donohoe, Allesandra Cionco, Jaime Korkos, Emily Lau, Michael Olbash, Peter Tetrault, Ryan Lynch, Doug McNicol, Benjamin Mead, Robert Gregory, Gillian Lynn Cotter, Ghinwa Choueiter, Heather Young, Joseph Houley, Mark Brown, Rachel Edelman, Robert Boland, Kathleen Boland, Libby Boland, Wanner, Cynthia, William Brown, Chuck Ovivieri, Matthew Gallup, Anna Maria Licameli, Rose Sun, Michelle Ong, Patricia Almond, Rebecca Wettemann, Patricia Driscoll, Perpetua Charles, and Timothy Edward Smith